the anatomy of a ring shot
the ring shot has become quite the widespread phenomenon within our industry. i do believe it was our filipino friend jmag who first brought these into his films. they have certainly evolved over the years and have become quite the highlight within a wedding film. for us, as things become closer to a cliche, we try and move away from them. what that means now, is that while we still do ring shots, we don;t include them in every sde. we also try to go that extra step and make sure that the shot doesn’t just look awesome but it also ties into that couple’s unique story. another use of ring shots, for us, is to interact with the titles either at the beginning or end of the film.
with that, i bring you a little behind the scenes piece we shot that shows what can go into one ring shot. a good 10 minutes of production for 3 seconds of screen time.
what your seeing here is a couple boxes we found at the brides house being used to elevate the cinevate linear tracking system so we can mount it upside down. we then ran the 7d with a 24 f1.4 on the slider. why a 24? well we needed something wider to allow for then negative space needed for the titles. the 24 can focus super close and is also very shallow when you do so, so it seemed like the perfect fit. we also use a lazy susan we found on the table to wipe the rings and copy out.
P.
Atlas? I think the Pegasus will work for almost anyone’s needs except those working with RED cameras, film cameras, or wanting to do a sliding jib shot.
Hit up the Pegasus… and I seriously recommend getting their ball head with it… so you can mount a separate head to your slider and still have your tripod. Not to mention… their 100mm ball head has a significantly lower profile than most of the 100mm tripod heads (Sachtler, Miller, Manfrotto, Cartoni) I’ve used… which means slapping it on the floor is no problem! No big knobs getting in the way.
you sure do. a word of warning though // you won’t be able to go back :)
P.
Do we get to demo your slider this weekend? Would love to see the difference between my Pegasus “trucks” and the heavy lifter.
Wow Patrick
I have to admit that you sold me the new Atlas so BAD in that shoot.
When I try with my “GT” similar situations on top of not 100% stable objects like boxes I’m not even close to that smoothness.