Call Sheets: They're Really Important

By July 3, 2013 Uncategorized 18 Comments

Call Sheet 630

Somewhere in the world, right this very minute, a member of a film production crew is scrambling to figure out the name and address of his shoot’s location. He needs a call sheet, and he doesn’t have one.

Don’t let this happen to a member of your team — and don’t let it happen to yourself.

The only way that you can prevent potential shoot day meltdowns is by creating a call sheet.

There’s a fine art to everything in this industry, even when it comes to the tedious task of making a call sheet. Mastering this art is simply a matter of making call sheets that effectively answer the who, when, what, and where questions that come up about every five minutes on shoot day.

When you look at a call sheet, all the information may seem pretty straightforward… but putting one together can be an intimidating task.

Where do I start?

Start with the “who”…

Since you’ll need to be making all kinds of phone calls and sending emails throughout the process of building your call sheet, it’s a good idea to start with the list of contacts.

This means all the contacts — like every single person involved with the project.

Here at Stillmotion we separate the production crew’s contact information from that of all outside parties involved with the shoot — the talent, the managers of locations you’re going to, caterers, etc. We’ve got a “Production” section with all the crew’s information, and a “Contacts” section with the information on everyone else.

You’ll want the full name, role/position, email address, and ESPECIALLY the phone number of anyone involved with the shoot to be included on the call list.

Make sure all of your information is correct and current — the last thing you want is your director calling a number that’s no longer in use, and then looking at you like “what the??”…

Who, what, where, when… and weather!

On your call sheet’s header, you’ll want to put the big, important information in a nice big, important font size.

The header should answer these questions:

  • Who are you?
  • Who is the client?
  • What is the shoot?
  • When is the shoot?
  • When is sunrise or sunset? Or both!
  • What’s the weather going to be like?

It should look something like this:


When do I start making this thing?

Gathering all the information could certainly take a few days… it’s a good idea to keep an open document on your computer to record all the contact information and make notes throughout the week leading up to your shoot.

Once you’ve got all the information, entering it into your call sheet shouldn’t take long unless you’ve got a freakishly low WPM count.

Also, you’ll find that as the details get worked out, plans and schedules will change… sometimes you might not get your final draft out to the team until 24 hours before call time! Obviously sooner is better, but at the very latest you’ll want to get the call sheet out to the crew 24 hours before call time.

Who gets a call sheet?

Short answer: everyone.

You’ll want to give a call sheet to anyone and everyone involved with the shoot. This means the production crew, the talent, the talent’s manager, and especially your client.

Sometimes the client won’t be around much on shoot day, or they’ll be in and out — but it’s going to make them much happier if they feel like they have a sense of what’s going on throughout the day.

One thing to consider is whose information you’re giving away on your call sheet. This is important to think about when you’re working with talent or “important people” who might not want you giving away their phone number to just anyone.

Members of your crew who you know and trust aren’t anything to worry about, but if you pick up a P.A. or hire someone on for the day who you don’t really know… it might be a good idea to make a different set of call sheets for these people.

Location, location, location.

Hey, we’re not one to play favorites but… this might be the *most* important part of your call sheet. People gotta know where they’re going!

All of your shooting locations, and any place that you’ll need to pick something up are going to need to be listed here. Be sure to number each one, so that when you reference “Loc 1” on your schedule, people will clearly understand what that is.


You’ll also notice that we put the location of the nearest hospital and the police department (with phone numbers) in this section as well. Some people put this information in its own section, or in the “Notes” area — it doesn’t really matter where you put it, as long as it’s on there somewhere. Preparing for emergencies should always be prioritized!

PARKING! This is something people are always thankful that we include on our call sheet. This is another one that you could put in its own section on the call sheet, or in the notes… we find it fits best in the locations section. If the parking situation is scout-able, scout it out and get the skinny on where to park. Or, give the site’s manager a call — they’ll usually give you the scoop on where to park!

How do I make the schedule?

This will probably be the most challenging part of the call sheet process, because the itinerary is often subject to change. For that reason, you’ll want this to be one of the last things you do on your call sheet.

Sit down with the Director and maybe the DP, and work out the details of the day. What’s the order of events, and how long will each one take?


Depending on the type of shoot, this section will have more or less detail. If it’s a small live event — like the “Pizza Marathon” — you might have less detail to give about “scenes,” but rather it will be more helpful to list the events of the day.

This section is not the shot list (use SMAPP for that!) — this is simply a list of the day’s schedule, so everyone knows where to be and when.

Have a quick meeting!

While we already know your call sheet is VERY informative and efficient… it doesn’t hurt to rally up the troops and go over the call sheet together as a family.

This is a good idea in that you’ll be able to answer any questions raised by the team, and if you missed anything you can note it or (if there’s time) make a revised, final draft of your call sheet.

We love you… have a template (and other cool stuff).

If you’d like to receive a free template of the call sheet we use here at Stillmotion, sign up for our email list (below) and we’ll send you one!

By signing up for our email updates you’ll get frequent (but not too frequent) emails to let you know when we post something new on the blog, or have a cool opportunity we think you’d be interested in.

We’re all brothers and sisters out here in the filmmaking world… we gotta look out for each other!

So, if you “like what you see” — (hint: you do), you can sign up today, and in the welcome email you’ll receive:

  • 5 premium SMAPP tutorials.
  • The first chapter of KNOW, our filed guide to filmmaking.
  • As promised — our call sheet template!


Last but not least: make it your own.

Templates are nice, and make the process easier… but we totally encourage you to make your own call sheet with your own design!

Use our template to get started, but like most things in the filmmaking biz you’ll need to find what works best for you and fits your style.


Got any tips of your own for making a good call sheet?

Let us know!

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